Loghman Madayen ( Born on 21 July 1993 in Tehran) is a former political activist, researcher, lecturer. He was the first in Fajr Film Festival In 2023..
Loghman madayen atended farhangian primary school and then he studied mathematics and physics at motahari high school. At the age of 19, he went to university in Chalus city and studied civil engineering. In 2018, he entered the Karnameh Art Academy and graduated from Shadmehr Rastin's screenwriting courses, and at the Technical and Professional complex of Tehran, he obtained high levels of editing in cinema. He passed under the supervision of Shahab Haji Mashhadi.
He is a graduate of the following fields and courses:
In the year (2013-2015), he worked as an executive director in the youth wing of Hizb-e-Islami.
Madayen was formerly a reformist political activist and public relations officer of JebhehAzadi, who accompanied Mahdi Khazali to register at the Ministry of Interior in the 2016 presidential election. And after the protests of 2016, which led to the arrest of Dr. Mahdi Khazali as the Secretary-General and several members of the JebhehAzadi. As a producer and editor at Saraye Ghalam Institute, he started hard talk Discussions with the opposition inside Iran, which was broadcast on Channel One owned by Shahram Homayun, Eurtime owned by Fardad Farahzad.
As the photographer of Seyyed Mohammad Mahdi Mousavi Bejnordi's funeral ceremony, Madayen wrote on his Instagram page:
At the beginning of the revolution, the Imam asked Bojnordi to become the head of the judiciary, he immediately apologized and said that they had no intention of entering politics and wanted to continue their academic career and become teachers. Later, the leader went to propose to his daughter for His own son, the deceased Bejnorudi beautifully expressed that he Didn’t Wanted his daughter and family to be involved in protective controls and rituals and sidelines and want to live a simple life, and again he apologized.
As a member of Azadi Front, he wrote on his Instagram page about his meeting with Mahmoud Ahmadinejad:
"The place was Mr. Beqaei's house, he had just been sent on secret leave from prison. Ahmadinejad believed that the system would be overthrown soon, he was certain that it wouldn't see the next election system (2018)."
On his Instagram page, Loghman Madayen revealed Seyyed Ali Hosseini Sistani's letter to the leader of Iran:
On the same day, Mr. Sistani wrote a Condolence letter to the leader, which contained strange codes. He, who didn't accept the Clergyman of him and didn't believe in conventional suffixes and prefixes, addressed the leader as Ayatollah. He, who was secretly criticizing his justice, wished him continued presence in the letter, he who never responded to the leader's greetings, greeted him at the beginning of the letter, he who considered the role of Quds Force in the region to be destructive, He introduced Qassem Soleimani as a martyr of Islam. many other points that he practically put himself behind the leader, he wanted to tell Trump that he was ready to stand behind the leader and fight by his side regardless of all the differences that Islam is involved.
As a member of Azadi Front, he wrote on his Instagram page about the murder case of Mohammad Ali Najafi:
"Maybe one day history will ask: why did the late Ostad go to him for the first time in a hotel?" What did he pour into Najafi's drink that he was obedient until the next morning? Who filmed their relationship? What did they ask him for not airing the movie? Why did Najafi commit suicide? Was her marriage with the Ostadi an order or a love affair? Do they determine the dowry or Did it determine for them? Who was the second person at the time of the murder? Why was his presence in the film erased from the history of building and consciousness? Why was he released? Why did Najafi have two guns? Who did the second gun with which the murder happened To belong? Was Najafi a murderer? Did the judge tell him to accept? What did Najafi do that they made this tragedy for him? And who went to her at Keshavarz Boulevard Hotel to force her to marry a married Ostadi and pay a certain amount as dowry? I hope history has an answer for that."
As a member of the Azadi Front, he published a photo of his meeting with Ahmad Montazeri on his Instagram page and addressed Ayatollah Montazeri's efforts to welcome the leader of Iran and said:
"In the year 2000, that is, three years after the harsh speech of the 13th of Rajab, which led to harsh actions against them, the leadership decided to come to Qom.! At the same time when Iraq was under severe pressure from the international community, Mr. Montazeri said that he wanted to meet Mr. Khamenei... The arrival of Mr. Khamenei in Qom is very important and the world powers are watching this meeting. If they find out that the leadership isn't approved by the authority community, they will make sinister plans for Islamic Iran and its disintegration. When they came to the Iraq war with all their strength, the analysis of Iran was definitely on their agenda, and to thwart their plans, Setting aside differences. And he went to meet him so that he Knows that despite all the differences and criticisms, he has a place among the people and authorities, and if an evil eye falls on this revolution, We will set aside differences and stand together."
In 2021, Loghman Madayen officially turned to Write art, and cinematographic articles and poetry as a critic, and His work was quickly reflected in Ensaf News, Rokna, IRNA, Ilna, Salam Cinema and Etemad and Keyhan newspapers.
His reviews include a thorough analysis of the film's content Besides strict belief In each of the parameters of form and technique. He won the Filimo platform criticism festival for his admirable review of The jeyran series.
Madayen wrote in the Ensaf news agency, rejecting the film's offensiveness:
"From my point of view, the city is full of "Saeid Azimi" who have encircled Imam Reza (a.s.) and that true thinking, and the Imam's shrine, which is in the center of them, and its yellow light, Which corresponds with their lights. It has only one meaning, that is, the shrine of Razavi is ignorant in taking possession of these religious facades.
Loghman Madayen considered the last work of Kiumars Pourahmad to be very weak and wrote it:
"Pourahmad introduces the judicial system as the flag bearer of the campaign against execution, talks about the weakness of the law in equal rights of men and women and domestic violence..."
Madayen said in a conversation with Etemad newspaper:
"Film came to say that it is possible to oppress in the Islamic Republic like Savak, Film came to complain about those who are willing to kill innocent people to hide their weakness, Film came to say that it is possible to obtain a fake death certificate from an official level so that the cause of death is not revealed."
In a conversation with Insaf News Agency, Loghman Madayen criticized the ruthless censorship of the film and said:
"The film has suffered a lot because of the critics, but it still has its firmness , On the one hand, it depicts the attempt of some politicians to influence the judicial system, on the other hand, it exposes the corruption of some in the judiciary, Just like what happened in recent years, from the judge and prosecutor to the deputy and director general in the department were arrested, The film deals with the buying and selling of children..."
In a conversation with Ensaf News Agency, Madayenconsidered the hero of the film to be similar to Nasrin Sotoudeh and said:
"Sara's white shawl reminds us of Azadeh's lawyer with her always white shawl, namely Nasrin Sotoudeh, who expressed her dignity as a lawyer, "When they do not allow me to defend the rights of my clients, I Prefer to try with them", Finally, he Was capture, Golbahar fingered Sarah's attorney document at the very beginning and We saw the human rights book of Mohammad Ja'far Pouyandeh, And we find out the fate that awaits Sarah, As Pouyandeh became a victim of the arbitrary elements of the higher authorities.."
In a conversation with Insaf News Agency, Loghman Madayen called the film "government" and said:
"This film deals with the war between the Ministry of Intelligence and the Islamic Revolutionary Guard Corps over the honor of arresting Abdolmalek Rigi."
In a conversation with Ensaf News Agency, Madayen considered the film to be the weakest work of Mahdavian and Javad Ezati and said:
"The Loser Man will be destroyed so that no other film will show a security system in the service of economic cartels!"
In a conversation with Insaf News Agency, Loghman Madayen called the film the final chapter on Mohsen Rezaee and said:
"It was reported that they were the leadership of the president and they were surprised to hear the news of Mir Hossein Mousavi becoming the prime minister on the two o'clock news, They complained without controversy, some elders went to Ayatollah Khomeini and said that you should not have allowed Mousavi to become the prime minister, It is the president's right to choose her prime minister, And Ayatollah Khomeini makes a deep speech there and says: "They came from the Islamic Revolutionary Guard Corps and said that if Mousavi does not become the prime minister, The war is over", Or they are right the war will fail, which we should not let, Or it is a threat and they harm the war, which is not good, This is a naked narrative that, if it is true, depicts the depth of Mohsen Rezaee's power display.."
In a conversation with Ensaf News Agency, Madayen considered the film very important and said: "Spider" should be seen both by religious fanatics and those who have lost their religion:
"The traditional religious spectrum should watch to understand what the consequences of the rulings they promote on the pulpits without any support can bring about, By the way, Mr. Sayyid Ahmad Alamolhoda should watch the movie carefully and not prevent it from showing in Mashhad, Apostates like Masih Alinejad should also watch this work to understand that early cultural development in the country is not possible and all members of the society should develop uniformly, Iran has been a prisoner of cultural dogmatism for centuries and it will take a long time for everyone to turn to wisdom, Otherwise, if the cultural distance increases, people will kill for the reward of others."
In a conversation with Etemad newspaper, Loghman Madayen said that this film reflects the anger of defenseless people:
"Who incites violence, how an explosion turns people's loved ones who had a lot of love in their hearts into ashes, and those who caused the explosion, instead of responding by abusing their power, do not bear the burden of responsibility, the suffering people who The authorities don't want to hear their voices and they deal with them however they want, the film deals with mutual violence, from a justice system that doesn't exist, from a Dadi who is not allowed to cry out."
In a conversation with Etemad newspaper, Madayen considered the film very important for the inflamed society and said:
"The film revolves around a father whose character is a symbol of tyranny, exclusivity, totalitarianism, and dictatorship. He is full of selfishness in the family, and his strength is the blessing of the silence of the family members who let this rotten traditional thinking decide for them as it wants."
Since 2018, Loghman Madayen published his literary, romantic, mystical and political poems and texts. He has two books of poetry called Duchess Nameh and Gomgashteh
Madayen announced on his official page that he wrote this poem for the protests of 2022.
Have you ever seen it snow?Its arrival makes everywhere beautiful. The night when it snows, the dark sky will be more pretty than ever, rocky hills are uniformly white, the snow sitting on the weeds is also beautiful, the mountain wear wedding dresses.The type of oxygen is also different, children go to school with enthusiasm, adults with enthusiasm go to work, everyone enjoys waiting, and this is a story of freedom because it reaches any society and makes everywhere beautiful.Example of snow at night.
Loghman Madayen has so far written 100 film reviews on Iranian and foreign films.
