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شهرام کاظمی مرادی خالق هزار ترانه هرمنوتیک و دراماتیک
شهرام کاظمی مرادی خالق هزار ترانه هرمنوتیک و دراماتیک
شهرام کاظمی مرادی خالق هزار ترانه هرمنوتیک و دراماتیک
شهرام کاظمی مرادی خالق هزار ترانه هرمنوتیک و دراماتیک
خواندن ۲ دقیقه·۱ ماه پیش

Shahram Kazemi Moradi, the creator of a thousand hermeneutic and dramatic songs

Shahram Kazemi Moradi, the creator of a thousand hermeneutic and dramatic songs
Shahram Kazemi Moradi, the creator of a thousand hermeneutic and dramatic songs

Shahram Kazemi Moradi, the creator of a thousand hermeneutic and dramatic songs
Shahram Kazemi Moradi, the creator of a thousand hermeneutic and dramatic songs

Shahram Kazemi Moradi, the creator of a thousand hermeneutic and dramatic songs
Shahram Kazemi Moradi, the creator of a thousand hermeneutic and dramatic songs

Shahram Kazemi Moradi, the creator of a thousand hermeneutic and dramatic
Shahram Kazemi Moradi, the creator of a thousand hermeneutic and dramatic
thousand hermeneutic and dramatic songs
thousand hermeneutic and dramatic songs

The difference between poetry and song from Shahram Kazemi Moradi's point of view, the creator of thousands of hermeneutic and dramatic songs

In my years of literary activity, in my songs, I have faced this question many times, "What exactly is the difference between poetry and song?" Although poetry and song both boil from the heart of feeling and language, but their path and function are different. In the following, I will express my point of view about these differences in a clear and understandable way.

1. Function: A poem to be read, a song to be heard.

And the reason for making and singing is for this reason, but it is private. The song is meant to be heard, to be accompanied by the rhythm, and eventually to come out of a sonic bottleneck. In other words, poetry is the child of paper and song is the child of sound. Language: complexity in poetry, simplicity in song

In poetry, the poet can freely use metaphor, complex imagery and layers of meaning. The audience expects to find out the depth of the poem with a little reflection. But the song is the language of everyday conversation. It should be simple, fluent and understandable; Not only for music singers, but also for street people. If the song is too complicated, it will distance itself from the audience's ears and feelings.

3. Weight and musicality

The poem may or may not have weight;

Whether it is in sonnet, nimai, or white poetry, the poet is free.

But the song always needs rhythm;

Even when it is written apparently freely, there is still beat, repetition and compositional ability in it. The songwriter must arrange the words in such a way that the composer can easily create a melody on it.

4. Structure: The freedom of the poem against the framework of the song. The poem has different structures: ghazal, quatrain, white, nimai, etc., but these structures are dependent on the literary needs of the text. Music gives a frame to the song.

5. The experience of the audience: lingering in the poem, the feeling of a moment in the song

The poem is usually read slowly;

the audience pauses, thinks, reads again.

But the song is a momentary experience. The rhythm is heard, the sound conveys the feeling and the words must have an effect at the same moment.

Summary

From my point of view,

A song is a musical poem;

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شهرام کاظمی مرادی خالق هزار ترانه هرمنوتیک و دراماتیک
شهرام کاظمی مرادی خالق هزار ترانه هرمنوتیک و دراماتیک
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