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From Persia to Greece: A Journey through Luxury and Power in London

The latest exhibition at the British Museum, titled "Luxury and Power: Persia to Greece," provides a captivating exploration of the intricate relationship between Persia and Greece.

As you walk through the exhibition, you’re greeted by a pair of sculpted heads – an ancient Persian and the Greek god Apollo – that symbolize the polarity that has defined global history. However, the reality was more complicated than a simple binary struggle between the two cultures.

Gold armlet (part of the Oxus Treasure), Tajikistan, 500–330 BC. The terminals of this gold armlet are shaped like two leaping griffins. Their bodies are divided into tiny cells which were once inset with vividly coloured precious stones or glass. Persian goldsmiths were experts in this technique and often used it to decorate jewellery and drinking vessels.
Gold armlet (part of the Oxus Treasure), Tajikistan, 500–330 BC. The terminals of this gold armlet are shaped like two leaping griffins. Their bodies are divided into tiny cells which were once inset with vividly coloured precious stones or glass. Persian goldsmiths were experts in this technique and often used it to decorate jewellery and drinking vessels.





For a deeper understanding of the historical dynamics between Persia and Greece, consider embarking on a journey to Iran itself. Exploring the country firsthand can provide a richer context and immersive experience compared to museums. To make the most of your visit, opt for guided historical tours offered by reputable domestic companies like SURFIRAN. These tours can offer a comprehensive exploration of Iran's rich history, allowing you to discover its cultural treasures, architectural marvels, and significant historical sites. By venturing beyond museum exhibits, you can truly delve into the essence of Persia's past and gain a unique perspective on the complex relationship between Persia and Greece.




The exhibition is centered on the theme of luxury, a word associated with the east and Persian power, and it covers three sections – a thesis, antithesis, and synthesis. The first section offers a taste of the Persian empire, with a relief of Darius I worshipping Anubis in Egyptian style. The second section shows how classical Athens wrestled with Persian artistic influence while mocking the defeated empire. Finally, the two cultures merge as Alexander the Great conquers Persia and embraces its ways.

Recreation of Persian riding dress from about 500 BC, showing a riding coat. Lamb’s wool, faux fur and metallic appliqués. Designed by Lloyd Llewellyn-Jones, sewn by Rebecca Southall.
Recreation of Persian riding dress from about 500 BC, showing a riding coat. Lamb’s wool, faux fur and metallic appliqués. Designed by Lloyd Llewellyn-Jones, sewn by Rebecca Southall.



At the heart of each section are huge, luxurious drinking cups known as rhytons, shaped like horns, made of gold or silver, and featuring bulls, griffins, and human portraits. These Persian banqueting vessels were fantastic to drink from, but it was considered vulgar and ostentatious to drink from a bulbous golden horn in classical Athens, which instead made rhytons out of clay.


The exhibition demonstrates how ceramicists and painters turned the opulent Persian rhyton into pottery in the shape of ram and pig heads, painted red, white, and black. This confirms the traditional view that Greek and Persian culture were opposites, with Athens rejecting Persian magnificence. However, things change when Alexander the Great comes on stage. He defeated Persia, burned its great capital Persepolis, and created a new Greek empire from Egypt to Afghanistan. The Hellenistic era that followed comes across as a fascinating, seductive cultural melting pot, where stiff classicism melts into “oriental” splendor.

Photo © Todor Dimitrov, National Museum of History, Bulgaria Panagyurishte Treasure, gold, Bulgaria, about 300 BC. Photo © Todor Dimitrov, National Museum of History, Bulgaria. A star loan, the extraordinary Panagyurishte Treasure from Bulgaria is an exquisite example of ancient metalworking that demonstrates the influence of Persian and Greek luxury in ancient Thrace (a region that included parts of modern Bulgaria, Greece and Turkey). The Treasure consists of nine richly decorated gold vessels with a combined weight of over 6kg – eight rhyta used to pour wine and one bowl to drink it.
Photo © Todor Dimitrov, National Museum of History, Bulgaria Panagyurishte Treasure, gold, Bulgaria, about 300 BC. Photo © Todor Dimitrov, National Museum of History, Bulgaria. A star loan, the extraordinary Panagyurishte Treasure from Bulgaria is an exquisite example of ancient metalworking that demonstrates the influence of Persian and Greek luxury in ancient Thrace (a region that included parts of modern Bulgaria, Greece and Turkey). The Treasure consists of nine richly decorated gold vessels with a combined weight of over 6kg – eight rhyta used to pour wine and one bowl to drink it.



At the heart of the Hellenistic era are gold drinking cups and platters from the Panagyurishte Treasure, lent by Bulgaria’s National Museum of History. They brilliantly combine Greek and Persian themes in an aesthetic free-for-all, with naked gods and demigods sporting on cups with bull faces, all in glinting gold.


Overall, the exhibition offers a clear and concise introduction to 500 years of Persian and Greek history, centered on the theme of luxury. While it doesn’t bring history to life like Herodotus, it offers a fascinating insight into how the two cultures interacted, with the Hellenistic era offering a glimpse into a seductive cultural melting pot.

If you’re in London between 4 May and 13 August, be sure to check it out at the British Museum.

Website: https://www.britishmuseum.org/exhibitions/luxury-and-power-persia-greece

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